TRIO MARIE SOLDAT
KEIKO SHICHIJO fortepiano
CECILIA BERNARDINI violin
MARCUS VAN DEN MUNCKHOF cello
Trio Marie Soldat was founded in 2017 by three internationally renowned musicians based in Amsterdam: Keiko Shichijo (fortepiano), Cecilia Bernardini (violin) and Marcus van den Munckhof (cello). They were brought together by their shared interest and love for the historical performance prac
tices of the Classical and Romantic piano trio repertoire, as well as for the original instruments.
Throughout the years, they have deepened and consolidated their knowledge and practice of the nineteenth-century playing techniques, assisted by musicologist Clive Brown and pianist/musicologist Neal Peres da Costa. Some of the expressive features inherent to nineteenth-century practice that they incorporate in their playing are portamento, a sparing use of vibrato, tempo flexibility, tempo rubato and arpeggiation or dislocation of chords in the piano. The trio performs extensively throughout Europe, and often incorporates explanations to the audience of the unique characteristics of their research and performance style.
The name Trio Marie Soldat was inspired by the outstanding nine teenth-century violinist Marie Soldat-Roeger, who played in the tradition of the French violin school, which influenced many violinists and composers through out the century. There are only a few recordings available of Soldat’s playing, which have been a valuable added source of inspiration and reference in the trio’s quest for the nineteenth-century performance practice.
In October 2021, the first CD of Trio Marie Soldat will be released from Linn Records, Outhere. https://www.triomariesoldat.com/
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© Bernd Alfanz
program examples
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1.
Beethoven: Klaviertrio in Es-dur, Op. 70-2
1.Poco sostenuto – Allegro ma non troppo
2.Allegretto
3.Allegretto ma non troppo
4.Finale: Allegro
-pause-
Schubert: Klaviertrio Nr. 2 in E s-dur, D. 929 Op. 100
1.Allegro
2.Andante con moto
3.Scherzo: Allegro moderato
4.Allegro moderato (premiere version)
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2.
Schubert : Sonate für Klavier und Violine Nr.1 D 384, in D-dur
1. Allegro molto
2. Andante
3. Allegro vivace
Eberl : Grand Duo für Violoncello en Klavier Op.26, in A-dur
-pause-
Beethoven : Fantasie für Klavier Op.77, in g-moll
Beethoven : Trio für Klavier, Violine und Violoncello Op.70-2, in Es-dur
1. Poco sostenuto- Allegro ma non troppo
2. Allegretto
3. Allegretto ma non troppo
4. Finale, Allegro
La Rue Chagrin -Songs from the Parisian avant-garde
( a lied recital with soprano Lore Binon)
Honegger- Six poèmes d’Appollinaire
-A la santé
-Clotilde
-Automne
-Saltimbanques
-L’Adieu
Honegger- uit l’album des six
-Sarabande ( piano solo )
Poulenc- Tel jour, telle nuit
-Bonne journée
-Une ruïne coquille vide
-Le front couvert
-Une herbe pauvre
-Une roulotte couverte en tuile
-A toutes brides
-Je n’ai envie que de t’aimer
-Figures de force brûlante et farouche
-Nous avons fait la nuit
Milhaud uit Poèmes juifs
-chant de nourrice
Milhaud uit Chansons de la négresse
-en attendant je serai
Tailleferre- Pastorale ( piano solo )
Tailleferre
-Non, non la fidélité
Milhaud uit 3 poèmes de Chateaubriand Op 10
-L’aurore
-L’innocence
Durey- Uit 6 madrigaux de Mallarmé
-Jour de l’an
-1er Avril
-Départ
Durey
-Nocturne ( piano solo )
Milhaud
-Berceuse hébraïque: Dors, Dors
Tailleferre
-La Rue Chagrin
The roaring twenties appeal to the imagination - What must life have been like in Paris, with composer and writer friends meeting in musical salons? This is a song program around ‘Les Six’, including Poulenc's playful and nostalgic music.