TRIO MARIE SOLDAT
KEIKO SHICHIJO fortepiano
CECILIA BERNARDINI violin
MARCUS VAN DEN MUNCKHOF cello
Trio Marie Soldat was founded in 2017 by three internationally renowned musicians based in Amsterdam: Keiko Shichijo (fortepiano), Cecilia Bernardini (violin) and Marcus van den Munckhof (cello). They were brought together by their shared interest and love for the historical performance prac
tices of the Classical and Romantic piano trio repertoire, as well as for the original instruments.
Throughout the years, they have deepened and consolidated their knowledge and practice of the nineteenth-century playing techniques, assisted by musicologist Clive Brown and pianist/musicologist Neal Peres da Costa. Some of the expressive features inherent to nineteenth-century practice that they incorporate in their playing are portamento, a sparing use of vibrato, tempo flexibility, tempo rubato and arpeggiation or dislocation of chords in the piano. The trio performs extensively throughout Europe, and often incorporates explanations to the audience of the unique characteristics of their research and performance style.
The name Trio Marie Soldat was inspired by the outstanding nine teenth-century violinist Marie Soldat-Roeger, who played in the tradition of the French violin school, which influenced many violinists and composers through out the century. There are only a few recordings available of Soldat’s playing, which have been a valuable added source of inspiration and reference in the trio’s quest for the nineteenth-century performance practice.
In October 2021, the first CD of Trio Marie Soldat will be released from Linn Records, Outhere. https://www.triomariesoldat.com/
program examples

© Bernd Alfanz
1.
Beethoven: Klaviertrio in Es-dur, Op. 70-2
1.Poco sostenuto – Allegro ma non troppo
2.Allegretto
3.Allegretto ma non troppo
4.Finale: Allegro
-pause-
Schubert: Klaviertrio Nr. 2 in E s-dur, D. 929 Op. 100
1.Allegro
2.Andante con moto
3.Scherzo: Allegro moderato
4.Allegro moderato (premiere version)
2.
Schubert : Sonate für Klavier und Violine Nr.1 D 384, in D-dur
1. Allegro molto
2. Andante
3. Allegro vivace
Eberl : Grand Duo für Violoncello en Klavier Op.26, in A-dur
-pause-
Beethoven : Fantasie für Klavier Op.77, in g-moll
Beethoven : Trio für Klavier, Violine und Violoncello Op.70-2, in Es-dur
1. Poco sostenuto- Allegro ma non troppo
2. Allegretto
3. Allegretto ma non troppo
4. Finale, Allegro
La Rue Chagrin -Songs from the Parisian avant-garde
( a lied recital with soprano Lore Binon)
Honegger- Six poèmes d’Appollinaire
-A la santé
-Clotilde
-Automne
-Saltimbanques
-L’Adieu
Honegger- uit l’album des six
-Sarabande ( piano solo )
Poulenc- Tel jour, telle nuit
-Bonne journée
-Une ruïne coquille vide
-Le front couvert
-Une herbe pauvre
-Une roulotte couverte en tuile
-A toutes brides
-Je n’ai envie que de t’aimer
-Figures de force brûlante et farouche
-Nous avons fait la nuit
Milhaud uit Poèmes juifs
-chant de nourrice
Milhaud uit Chansons de la négresse
-en attendant je serai
Tailleferre- Pastorale ( piano solo )
Tailleferre
-Non, non la fidélité
Milhaud uit 3 poèmes de Chateaubriand Op 10
-L’aurore
-L’innocence
Durey- Uit 6 madrigaux de Mallarmé
-Jour de l’an
-1er Avril
-Départ
Durey
-Nocturne ( piano solo )
Milhaud
-Berceuse hébraïque: Dors, Dors
Tailleferre
-La Rue Chagrin
The roaring twenties appeal to the imagination - What must life have been like in Paris, with composer and writer friends meeting in musical salons? This is a song program around ‘Les Six’, including Poulenc's playful and nostalgic music.

Old Masters - New Look
Alon Sariel - mandolin
Keiko Shichijo - fortepiano
The mandolin, traditionally known for its delicate sound, meets the fortepiano to create a distinctive timbre that brings out both the intimate depth and dramatic expressiveness of the both instruments. The surprising sonic landscapes in works by iconic composers like Mozart, Beethoven and Schubert, is met here by more recent compositions of the 20th and 21st centuries. With “Mozart New Look” by Jean Francaix, the two musicians present a humorous take on Mozart’s Mandolin Canzonetta “Deh, vieni alla finestra” from the opera Don Giovanni. Two uniquely original sonatas by Johann Nepomuk Hummel and the lesser known Vincent Neuling are taking the main podium in each concert half while arrangements of works by Mozart and Schubert fill in perfectly with their Viennese elegance. The program ends with new Beethoven Variations from the feather of the American Jazz pianist Uri Caine, a milestone in the contemporary mandolin repertoire.Embark on an extraordinary journey with a combination which seems curious at first, but proves surprisingly fresh in an exciting mix of original literature and creative new arrangements. A dialogue between tradition and innovation, captivating both classical music aficionados and curious listeners eager to explore the creative potential of well-known masterpieces.
Program:
Vincent Neuling (1775-1846):Sonata for Mandolin & Fortepiano in G Major, Op. 8 Allegro Moderato
Franz Schubert (1797-1828): Impromptu Op. 90-3 in Gb Major (solo piano) Ave Maria, D. 839
Leiermann (No. 24 from Winterreise, D. 911)
Moments Musicaux D. 780: No. 3 in F Minor
Ständchen (from Schwanengesang, D. 957)
Wolfgang Amadeus Mozart (1756-1791): Rondo K. 485 (arr. for Mandolin & Fortepiano)
Jean Françaix (1912-1997): Mozart New-Look (1981)
- Intermission -
Johann Nepomuk Hummel (1778-1837): Grande Sonata in C Major, Op. 37a
Allegro con spirito - Andante moderato siziliano - Rondo: Allegretto più tosto allegro
Ludwig van Beethoven (1770-1827): Bagatelle Op. 119-6 in G Major
Bartholomeo Bortolazzi (1772-1846): Sonata for Mandolin & Fortepiano in D Major, Op. 9
L. V. Beethoven / Uri Caine (1956*): Andante & Variations (1796/2020)


