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Trio Marie Soldat was founded in 2017 by three internationally  renowned musicians based in Amsterdam: Keiko Shichijo (fortepiano), Cecilia  Bernardini (violin) and Marcus van den Munckhof (cello). They were brought  together by their shared interest and love for the historical performance prac 

tices of the Classical and Romantic piano trio repertoire, as well as for the  original instruments. 

Throughout the years, they have deepened and consolidated their  knowledge and practice of the nineteenth-century playing techniques, assisted  by musicologist Clive Brown and pianist/musicologist Neal Peres da Costa.  Some of the expressive features inherent to nineteenth-century practice that  they incorporate in their playing are portamento, a sparing use of vibrato,  tempo flexibility, tempo rubato and arpeggiation or dislocation of chords in the  piano. The trio performs extensively throughout Europe, and often incorporates  explanations to the audience of the unique characteristics of their research and  performance style. 

The name Trio Marie Soldat was inspired by the outstanding nine teenth-century violinist Marie Soldat-Roeger, who played in the tradition of the  French violin school, which influenced many violinists and composers through out the century. There are only a few recordings available of Soldat’s playing,  which have been a valuable added source of inspiration and reference in the  trio’s quest for the nineteenth-century performance practice. 

In October 2021, the first CD of Trio Marie Soldat will be released from Linn Records, Outhere.

Trio Marie Soldat

                                                                                        © Bernd Alfanz

program examples



Beethoven: Klaviertrio in Es-dur, Op. 70-2 

                        1.Poco sostenuto – Allegro ma non troppo 


                        3.Allegretto ma non troppo 

                        4.Finale: Allegro 


 Schubert: Klaviertrio Nr. 2 in E s-dur, D. 929 Op. 100 


                        2.Andante con moto 

                        3.Scherzo: Allegro moderato 

                        4.Allegro moderato (premiere version)



Schubert : Sonate für Klavier und Violine Nr.1 D 384, in D-dur 

                    1. Allegro molto 

                    2. Andante

                    3. Allegro vivace 

Eberl : Grand Duo für Violoncello en Klavier Op.26, in A-dur 


Beethoven : Fantasie für Klavier Op.77, in g-moll

Beethoven  : Trio für Klavier, Violine und Violoncello Op.70-2, in Es-dur 

                    1. Poco sostenuto- Allegro ma non troppo

                    2. Allegretto

                    3. Allegretto ma non troppo

                    4. Finale, Allegro

La Rue Chagrin -Songs from the Parisian avant-garde
( a lied recital with soprano Lore Binon)

Honegger- Six poèmes d’Appollinaire
-A la santé

Honegger- uit l’album des six
-Sarabande ( piano solo )

Poulenc- Tel jour, telle nuit
-Bonne journée
-Une ruïne coquille vide
-Le front couvert
-Une herbe pauvre
-Une roulotte couverte en tuile
-A toutes brides
-Je n’ai envie que de t’aimer
-Figures de force brûlante et farouche
-Nous avons fait la nuit

Milhaud uit Poèmes juifs

-chant de nourrice

Milhaud uit Chansons de la négresse

-en attendant je serai

Tailleferre- Pastorale ( piano solo )


-Non, non la fidélité
Milhaud uit 3 poèmes de Chateaubriand Op 10




Durey- Uit 6 madrigaux de Mallarmé

-Jour de l’an

-1er Avril




-Nocturne ( piano solo )



-Berceuse hébraïque: Dors, Dors



-La Rue Chagrin

The roaring twenties appeal to the imagination - What must life have been like in Paris, with composer and writer friends meeting in musical salons? This is a song program around ‘Les Six’, including Poulenc's playful and nostalgic music.

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